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  • How much influence does the Baroque have on the Stability of Complex Cultural Systems?
  • Why is a culture Baroqueified?
  • Is the resistance of the Baroque and its movement into different social and economic spheres related to its capacity to adapt?
  • What is the Baroque and What is the Baroque for?

These are some of the questions that drive this project's research, which depends upon the participation of 35 investigators from several countries and many different academic discplines.
 

Is it Baroque?
Click below for posters and programmes from our Baroque Conference Series:

2007

First Meeting of the Hispanic Baroque Project

2006

III International Conference on the Transatlantic Baroque:
Poster (PDF)
2005

II International Conference on the Transatlantic Baroque:
Programme (PDF)

2004

I International Conference on the Transatlantic Baroque
Working Documents:
MP3 Edward Friedman (Professor of Spanish and Comparative Literatue, Vanderbilt University): Framing Excess: The Baroque in the New Millennium
MP3 Juan Luis Suárez (Western): Las tecnologías del humanismo y la preparación del barroco.
MP3 Domingo Ledezma (Wheaton College): “El Paraíso en el Nuevo Mundo,” de Antonio de León Pinelo: tratado barroco e historia natural y peregrina de las Américas.
MP3 Walter Moser (Canada Research Chair on Cultural Transfers, University of Ottawa): The aesthetics of ontological instabilities in the mass media: from Baroque to Neo-Baroque.

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Last Updated: September 10th, 2007
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Lauren Beck